I Heart Net Art | net.Art Exhibit

Class exhibition of net art.

ARST3800 Net Art Studio Fall 2005.
Mark Callahan @ Digital Media @ Lamar Dodd School of Art @ The University Of Georgia

Net Art Studio examines the current state of artistic practice on the Internet and facilitates the production of new works for networked audiences. The course consists of concurrent research and studio components, joined by critical theory.
The research component, achieved by prepared lectures, readings, and directed group research, surveys the cultural and technological underpinnings of contemporary net art. Key areas include historical discourse (media studies, pre-history of the computer, counter-culture movements), significant works online (independent, collective, curated), and practical technical structure (hardware, software, networks).
The studio component focuses on the creation of prototypes that lead up to a final project that exists on the internet and can be submitted to online ‘galleries’ and new media festivals. Student projects are discussed in group critiques within the context of individual artistic development and contemporary net.art. The studio component will be supplemented as necessary by remedial demonstrations, problem-solving assignments, and individual critique.

View the archive of the exhibit

I Heart Net Art
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[/kml_flashembed]

Make a Face, by Evan Mullins
9 pieces in the exhibit in which I play with interactivity, randomness, artificial intelligence, and typography/typefaces.

View the works in the exhibit I’ve posted on the blog:
Make a Face: Single, Grid, Interactive Grid, Crowd.
Hungry
Dog Trainer
Typeface: 1, 2, 3.

The whole exhibit (beware of broken links):

balloon Burn the House Down Expansion Squad fryman gerrysattele.com gooooooooooooooooooooooooooooooooooooooooooooooooooooogle.com handsomerobot Tony Smith I.S.P. jaredoldham.com kudzoomedia.com Brian Parsons Make a Face Evan Mullins Project(n.) Project(v.)

Exit Poster

Poster for my BFA Digital Media Exit show

exit poster

Exit 2007
Digital Media
The University of Georgia
Lamar Dodd School of Art
Visual Arts Building
285 South Jackson Street
Athens Georgia 30602

May 4th through May 10th
Opening Reception May 4th 7:00 -9:00
Performance at 8:00

Evan Mullins
Lauren Macdonald

Exit Card

Here’s my card I made for my graduation BFA Exit Show. For the show I’ve made a game called “iKill”

exit Card

Digital Media
Exit 2007

Evan Mullins

May 4th through May 10th
Opening Reception May 4th 7:00 -9:00

The University of Georgia
Lamar Dodd School of Art
Visual Arts Building
285 South Jackson Street
Athens Georgia 30602

Dynamic Scrolling Buttons

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[/kml_flashembed]
Here’s an example. A dynamic scroll, that changes speed according to your mouse. Here is the code for it as well, I tried to keep it pretty generic, just put this onto a movie clip I named “scroll.” And change the variables to fit your needs. Enjoy, and let me know what you make with it.

Actionscript (as2)

[cc lang=”actionscript” tab_size=”2″ lines=”40″]

onClipEvent(load) {
//variables
scrollMovieClipW = this._width – Stage.width;
leftScrollMargin = 175;
rightScrollMargin = 275;
verticalScrollMargin = 250;
//Note: The lower acceleration value the faster the scroll will be.
acceleration = 3;
}

onClipEvent (enterFrame) {
//to move left
//if mouse is right of 0 (left edge)
if (_root._xmouse >= 0 &&
//if mouse is left of left scroll margin
_root._xmouse <= leftScrollMargin && //if mouse is vertically below green line (over the scroll movie clip) _root._ymouse >= verticalScrollMargin &&
//if the scroll movie clip can still scroll further
_root.scroll._x <= 0) { this._x -= (_root._xmouse - leftScrollMargin) / acceleration; }//to move right else if (_root._xmouse >= rightScrollMargin &&
_root._xmouse <= Stage.width && _root._ymouse >= verticalScrollMargin &&
_root.scroll._x >= -scrollMovieClipW) {
//move right
this._x -= (_root._xmouse – rightScrollMargin) / acceleration;
}
}
[/cc]

Source

Download the example file: dynamicScrollingButtons.fla

Synesthesia | Installation- converting sound to shape and color

synesthesia
1. A condition in which one type of stimulation evokes the sensation of another, as when the hearing of a sound produces the visualization of a color.

Installation. May 2005
I had a microphone feed into the computer and audio from the room changed the display. I displayed a circle related to the voice of the room (pitch relates to size, and volume relates to color). As the viewer/participant speaks or sings or yells they see their voice transformed into colorful movements of varying size. The louder the sound- the colors of these forms brightened. In the background I had a sweeping cascade of colored lines. These would take control if there was no noise in the space.
I plan on making the display available online using personal mics from viewers computers to animate it. Ideally I would want multiple users to be able to log on and effect the animation collectively. Each input will generate shapes.

Here is a captured video feed.
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[/kml_flashembed]

Yankee Submarine Textures

I did all the textures for this submarine created for the A&E Documentary “The Russian Navy”. Here is the turnaround of the submarine. Texturing done in Maya and Photoshop.
DVD on sale at A&E

Documentary description from the History Channel
During the Cold War, Soviet Russia appeared vast, mysterious and threatening to many westerners. With its enormous reserves of manpower, it fielded a powerful army. Although historians and filmmakers have expended endless ink and celluloid discussing the vicissitudes of the Russian Army, the role of the navy in Russia’s history has been frequently overlooked.

In this groundbreaking documentary, we trace Russian naval history back to the seventeenth century. The regular Russian Navy was created at the behest of Tsar Peter the Great. At the end of the century, Russia began to deploy battleships and fire-ships during its campaign against Turkey. The Russian Parliament then passed a decree in October 1696 calling for the rapid construction of the navy.

We explain how the new force allowed Russia to triumph over Sweden in the Great Northern War of 1700 to 1721. It was during the course of this conflict that Russia began to construct its formidable Baltic fleet. We then explore the Russo-Turkish Wars, which occurred under Catherine the Great. The sea-bound skirmishes with Turkey resulted in the establishment of the Black Sea Fleet, which was based in Sevastapol and Kherson. In 1770, the Russian Navy managed to destroy the Turkish fleet in the Battle of Chesma.

Next, we address the Russian Navy’s activities during the twentieth century. The doomed 1905 Russo-Japanese War resulted in complete catastrophe for the Navy. At the Battle of Port Arthur, the Japanese used mines for offensive purposes for the first time in history. In the wake of the defeat, the country devoted an enlarged portion of its military spending to an ambitious shipbuilding programme.

During the First World War, the Black Sea Fleet succeeded in mining the Bosporus, thus preventing the Ottoman Fleet from entering the Black Sea. When the country withdrew from the war following the Russian Revolution, the fleet was evacuated from Helsinki and Tallinn to Kronstadt, in what became known as the ‘Ice Cruise of the Baltic Fleet.’

We also address the important role played by the navy in Russia’s 1917 Revolution. Russian sailors generally welcomed the Bolshevik Revolution. In 1905, sailors of the Imperial Russian battleship Potemkin had revolted against their oppressive officers. Their uprising would be immortalised in Sergei Eisenstein’s iconic 1925 silent film. In the following year, rebellious soldiers gained control of some Helsinki coastal fortifications during the Viapori Rebellion. Indeed, it was a blank shot from the Imperial Russian cruiser ‘Aurora’ which signalled the beginning of the October Revolution.

The Soviet Navy was formed from the ashes of the Imperial Navy. In the 1930s, as Russia underwent rapid and massive industrialisation, plans were also made to update and expand the Navy. We look at the role played by Soviet ships during the Second World War. We also outline the Russian challenge to western naval hegemony which took place during the Cold War. In the 1960’s and 70’s, the forceful and innovative commander in chief, Admiral Sergi Gorshkov, oversaw a massive naval build-up of aircraft carriers and submarines. This documentary outlines Russia’s tragic naval defeats and stunning, revolutionary victories in an accessible, dramatic and extremely comprehensive manner.

November Submarine Textures

I did all the textures for this submarine created for the A&E Documentary “The Russian Navy”. Here is the turnaround of the submarine.
DVD on sale at A&E

Documentary description from the History Channel
During the Cold War, Soviet Russia appeared vast, mysterious and threatening to many westerners. With its enormous reserves of manpower, it fielded a powerful army. Although historians and filmmakers have expended endless ink and celluloid discussing the vicissitudes of the Russian Army, the role of the navy in Russia’s history has been frequently overlooked.

In this groundbreaking documentary, we trace Russian naval history back to the seventeenth century. The regular Russian Navy was created at the behest of Tsar Peter the Great. At the end of the century, Russia began to deploy battleships and fire-ships during its campaign against Turkey. The Russian Parliament then passed a decree in October 1696 calling for the rapid construction of the navy.

We explain how the new force allowed Russia to triumph over Sweden in the Great Northern War of 1700 to 1721. It was during the course of this conflict that Russia began to construct its formidable Baltic fleet. We then explore the Russo-Turkish Wars, which occurred under Catherine the Great. The sea-bound skirmishes with Turkey resulted in the establishment of the Black Sea Fleet, which was based in Sevastapol and Kherson. In 1770, the Russian Navy managed to destroy the Turkish fleet in the Battle of Chesma.

Next, we address the Russian Navy’s activities during the twentieth century. The doomed 1905 Russo-Japanese War resulted in complete catastrophe for the Navy. At the Battle of Port Arthur, the Japanese used mines for offensive purposes for the first time in history. In the wake of the defeat, the country devoted an enlarged portion of its military spending to an ambitious shipbuilding programme.

During the First World War, the Black Sea Fleet succeeded in mining the Bosporus, thus preventing the Ottoman Fleet from entering the Black Sea. When the country withdrew from the war following the Russian Revolution, the fleet was evacuated from Helsinki and Tallinn to Kronstadt, in what became known as the ‘Ice Cruise of the Baltic Fleet.’

We also address the important role played by the navy in Russia’s 1917 Revolution. Russian sailors generally welcomed the Bolshevik Revolution. In 1905, sailors of the Imperial Russian battleship Potemkin had revolted against their oppressive officers. Their uprising would be immortalised in Sergei Eisenstein’s iconic 1925 silent film. In the following year, rebellious soldiers gained control of some Helsinki coastal fortifications during the Viapori Rebellion. Indeed, it was a blank shot from the Imperial Russian cruiser ‘Aurora’ which signalled the beginning of the October Revolution.

The Soviet Navy was formed from the ashes of the Imperial Navy. In the 1930s, as Russia underwent rapid and massive industrialisation, plans were also made to update and expand the Navy. We look at the role played by Soviet ships during the Second World War. We also outline the Russian challenge to western naval hegemony which took place during the Cold War. In the 1960’s and 70’s, the forceful and innovative commander in chief, Admiral Sergi Gorshkov, oversaw a massive naval build-up of aircraft carriers and submarines. This documentary outlines Russia’s tragic naval defeats and stunning, revolutionary victories in an accessible, dramatic and extremely comprehensive manner.

Circle Cube

Circle cube graphic pushing colors. Thinking of the design as shapes in a stained glass window.

circle cube mixed up

ARST4810 CAD Fab class exhibition.
My Shattered Little World
Slide, Circle cube

Published in the Flagpole, April 4th 2007:
Rhinoceros Makes Art: Students in Michael Oliveri’s Computer Aided Design and Fabrication class at UGA are exhibiting their work in the Thomas Street Gallery. Using the computer program Rhinoceros, the students have created a diverse set of images.J.B. Courson ‘s “Alpha Hab and Worker Drones” could be plans for the set of a Star Wars movie. Caroline Covington’s “Closure” re-invents the kamikaze bomb, with essential accompanying text. Diana Gurley’s circular imagery hovers on the page like hot-air balloons. Matthew McDonald’s “Lupa Ad Nauseam,” as the Latin title states, is an image of a wolf vomiting. The drawing of the wolf appears to be taken from a realistically executed etching, while the vomit is discretely portrayed as a splatter of color. Edward Whelan’s abstract geometric piece looks back to the Italian Futurists, with a fresh new design. Evan Mullins and Louis Grabowski have both created images of realistic-looking objects of play. Works by Andy Anzardo, Alex Castellanos, Jason Maddox, Chris Merz, Winston Parker and John Powers are also included in the show, which runs through Apr. 5, so hurry! The Thomas Street Gallery is located in UGA’s Sculpture Annex just off Broad Street.